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Midi Nation is supported by our great readers. We might get a commission if you buy gear through a link on this page [at no additional cost to you]. This week, we answer your queries on the best audio interface for Logic Pro X.
Although most audio interfaces integrate easily with Logic, some perform better than others. This is both because of hardware especially better Thunderbolt implementation and because of software better Mac compatibility. To help you choose the right gear, here's our list of the best audio interfaces for Logic Pro X.
Your audio interface has a massive impact on your production. This is the first piece of gear I recommend to anyone starting on their production journey — before they even get a pair of studio headphones.
After all, the audio interface is the hub that connects your hardware mics, headphones, instruments with your software DAW. As a Logic user, you are spoiled for choice when it comes to choosing audio interfaces. Logic has a massive chunk of the DAW market and is still one of the top choices for serious and hobbyists alike.
Logic users also benefit from Mac's dominance in the creative fields. Most brands give Mac compatibility a top priority, which means that outside of a few cases, any audio interface you choose will run smoothly on Logic.
To help you out, we put together this list of the interfaces available right now, and the features you should consider when buying. His first experience with electronic music production dates back to Cubase 3. He lives in San Diego and freelances as a producer and part-time DJ. Readers of this blog know that we've highly recommended Focusrite's Scarlett range in the past it topped our best audio interfaces list.
But as good as the Scarletts are, the Clarett range is even better. They feature Focusrite's top-of-the-line Clarett mic preamps and boast better latency than the Scarletts. Focusrite Clarett 2Pre is my best audio interface for logic pro x in this list because its USB range is uniquely designed to offer more exceptional performance, low-noise on mic pres and low distortion. This audio interface features an ultra-linear design which enhances the production of open, clean, and transparent sound, thus giving a more accurate depiction of the original act.
It also features a specially designed new software that makes configuration of the monitor and routing setups easy. Besides, this device is not only simple and easy to use; it also offers a conventional mixer workflow; while allowing for instantaneous access to the internal hardware. When detached from the source of power, you have no reason to worry. Therefore, the Clarett 2Pre USB is very portable because the user has one less power supply problem to handle.
It comes with only one headphone out port and has latency issues with specific computers. Regardless of where you set the latency, it keeps clicking and popping all through the recording process.
This device is not only the best audio interface for Logic Pro X but also the most popular for artists throughout the audio interface genre. The 3rd Gen Focusrite Scarlett 2i2 is designed with two microphones, lines, and instruments input features, thus enabling concurrent playback as well as recording with up to two channels both with self-controllable monitor and headphone outputs.
Focusrite Scarlett 2i2 3rd Gen audio interface comes with two advanced Scarlett mic preamps both with an optional air setting to replicate the air effect and give your acoustic and vocal recordings a cheerful and more open sound. It is one of the simplest USB audio interfaces made by Scarlett.
Provided you have a voice and want to create a quality recording using the guitar; then this 3rd Generation Scarlett Solo is the best choice for you. Its audio interface has switched to a USB C connector which requires a separate driver. The new driver drops the connection after an extended period. The bundled software is not ready to use and requires many signups and registration during setup. Recommended for: Perfect entry-level budget interface for any producer.
Works great with nearly every DAW and costs less than most of its competitors. It offers the best desktop audio interface for conversion and production of typical analog sound. This device comes with a class-leading resolution, real-time UAD processing, and unison preamps.
Apollo Twin MKII takes your desktop music production experience to the next level following the advancement of technology in the present day. Also, it has new monitor options such as talkback and alt monitor switching that enables remote control of the monitor through Thunderbolt. Nothing major — except for the price. We would have liked it more if it came with its own USB cable. Recommended for: Ideal for anyone recording professional or studio-quality sound.
This audio interface comes with modernized, efficient hardware features, and radical software control. This device features microphone preamps which are essential for recording dynamic vocals, powerful drums, or delicate strings that may require a quality mic preamp to enable it to capture the best details of the act. The Element series also comes with Thunderbolt connectivity functionality that offers rock-solid stability and unbelievably low-latency performance.
Recommended for: Easily one of the best interfaces when it comes to sheer audio quality. Perfect for anyone who needs serious, studio-grade sound. This system takes advantage of the high-speed Thunderbolt 2 bus with a no-frills, and direct-to-DAW or no DSP added signal path to realize very low latency.
If you are using mac devices, it may fail to recognize it because the mac machine blocks it. However, this can be changed in the privacy settings of the device. Recommended for: Ideal rackmounted alternative to desktop audio interfaces. It comes with two front-panel combo microphone, line and instrument inputs along with two rear-panel microphone and line inputs, all featuring max preamps.
Middle-tier performance and features make it a poor alternative to some of the better alternatives in the same range — such as the Focusrite Clarett — with better preamps. Recommended for: A good mid-range option for anyone who wants more than 2 input options and is ready to compromise on preamps.
Choosing the best audio interface for Logic Pro X isn't easy, especially considering the sheer number of options in the market. For more recommendations and advice, don't hesitate to reach out to me here. Last Updated on January 4, Best Overall. Click for Price. Best Value. Best Performance. Top-notch audio quality Low latency, high-fidelity Rock solid build quality.
We use rigorous research, reviews, and real-world performance when recommending products. Our reviewers include producers, performers, and active musicians. You can read more about our review process here.
This does not affect your final purchase price. Focusrite Clarett 2Pre Readers of this blog know that we've highly recommended Focusrite's Scarlett range in the past it topped our best audio interfaces list. Everything you'd want in the best audio interface for Logic Pro X. View on Amazon.
Cons Latency issues Only one headphone out port. Check Price on Amazon. Best Budget. Key features: Quickstart tool Focusrite plug-in collective software Two balanced line inputs High-performance converters Includes pro tools in a Focusrite creative pack. Cons Software is not ready to use requires downloads and signups.
Pros Easy to configure Professional and quality sound. Cons You need to learn how to use Plugins are expensive. Best Premium Audio Quality. Pros Easy to use Works excellently and produces quality sound Incredible price point. Cons Really expensive Only one headphone-out por. Best Rackmounted. Pros Great quality Perfect size Easy to use.
Cons Requires permission in Mac devices. Best Mid-Range. Key features: Professional quality for small and mid-sized studios World-class recording software Superior sound Designed for the studio and built for the road.
Versatile, ultra-high-definition USB-C audio interface. Pros Decent number of ports Decent quality sound; preamps. Cons Slightly overpriced for what it offers.
Go to top. March 6, Article first published September 18, Minor article updates.
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